books Archives - Page 55 of 102 - Better Than Dreams

This is my eighth Top Ten Tuesday post. Top Ten Tuesday was created and is hosted by The Broke and the Bookish.I love finding my favourite quotes on Goodreads and liking them, and I often remind myself of my favourite quotes whilst going about my life, so this is a fantastic one for me! Great quotes can remind me of great books, and inspire me or remind me of basic facts about life and other people.

Top Ten Favourite Book Quotes

1. “It is better to be alone, she figures, than to be with someone who can’t see who you are. It is better to lead than to follow. It is better to speak up than stay silent. It is better to open doors than to shut them on people. She will not be simple and sweet. She will not be what people tell her to be. That Bunny Rabbit is dead.”
― E. Lockhart, The Disreputable History of Frankie Landau-Banks

Sometimes I pick up my copy, or I should say, one of my copies, of The Disreputable History of Frankie Landau-Banks and read this section and it makes me feel better about everything.

2. “A woman knows very well that, though a wit sends her his poems, praises her judgment, solicits her criticism, and drinks her tea, this by no means signifies that he respects her opinions, admires her understanding, or will refuse, though the rapier is denied him, to run through the body with his pen.”
― Virginia Woolf, Orlando

In other words, people can want your attention even when they don’t respect you or really care about you at all.

3. “Why do you go away? So that you can come back. So that you can see the place you came from with new eyes and extra colours. And the people there see you differently, too. Coming back to where you started is not the same as never leaving.”
― Terry Pratchett, A Hat Full of Sky

This is such a perfect description.

4. “Believe it or not, Dimple–and I would believe it–I am just a regular person who has decided to be who I am in life. That’s all. That’s how you make your life magical–you take yourself into your own hands and rub a little. You activate your identity. And that’s the only way to make, as they say, the world a better place; after all, what good are you to anyone without yourself?”
― Tanuja Desai Hidier, Born Confused

I actually added this one to Goodreads myself, because I loved it so much.

5. “Meghan: Get over it, Roo. If you have friends who actually like you, you’re popular enough.”
― E. Lockhart, Real Live Boyfriends

I love how Meghan is the voice of loving reality and reason in Real Live Boyfriends and this is so true. As long as you have a few people who actually genuinely like you, I think you’re doing okay. You don’t need hundreds of Facebook friends or to get invited to cool parties.

6. “Noel: Maybe a friend is someone who wants your updates. Even if they’re boring. Or sad. Or annoyingly cutesy. A friend says “Sign me up for your boring crap, yes indeed”–because he likes you anyway. He’ll tolerate your junk.”
― E. Lockhart, Real Live Boyfriends

Oh, Noel *sigh*. Real Live Boyfriends is full of such wisdom. Review in seven books time.

7. “14th September
What kind of stupid name is Veronique anyway? No one’s called Veronique! No one except Dylan’s new girlfriend! Yeah, that’s how much he was missing me! He was so busy pining over me that he managed to cop off with some stupid posh girl from Cheshire. I mean, whatever.
And she so dyes her hair.”
― Sarra Manning, Kiss and Make Up

Odd, but I love this bit! The first time I read it I burst out laughing at Edie’s reaction to meeting Veronique, and every time I re-read it I remember my initial laughter and laugh again. The whole Veronique/Carter thing is so ridiculously over the top and yet real in its drama.

8. “Little lies that make people feel better are not bad, like thanking someone for a meal they made even if you hated it, or telling a sick person they look better when they don’t, or someone with a hideous new hat that it’s lovely. Remember that writing is to put love in the world, not to use against your friends. But to yourself you must always tell the truth.”
― Louise Fitzhugh, Harriet the Spy From Ole Golly’s letter.

9. “Her room felt wonderful to her, as usual. She looked around with satisfaction… She imagined to herself that she would always live this way, even after she had grown up and moved away from her family. She planned to have exactly the same room wherever she was, because this room was her. No matter what happened out there in the rest of the world, she felt totally comfortable once she got into this room and closed the door.”
― Louise Fitzhugh, Nobody’s Family Is Going to Change

When Nora decided to swap school classes for the Latin translation project at the local university, she didn’t expect it to take over her life. It was just a way to get out of school for a few hours a week, to add something extra to her college applications, and to spend more time with her best friend Chris. But when she is assigned the letters written by Elizabeth Weston, stepdaughter of the alchemist Edward Kelley, to her brother, she finds herself fascinated by Elizabeth’s life, the decisions she has to make, and her attempts to carry out her father’s wishes and build the Lumen Dei – a machine that, according to myth, is a direct line to God. Nora doesn’t believe a word of it, of course, but it’s interesting, and she’s falling for one of the other students, sweet, quiet, Max.

Nora and her colleagues are not the only one fascinated by the project. Firstly, their professor suffers a stroke that may not have been natural – an ambiguous warning that they do not heed. Then comes the night that changes everything. Nora arrives at Chris’ house to find him dead and his girlfriend Adriane in some kind of waking coma. Max has fled the scene, the prime suspect in the murder. Nora is sure that her gentle boyfriend couldn’t have done it, and she is determined to solve the mystery of the Lumen Dei and clear his name.

The Book of Blood and Shadow has been described as a YA version of The Da Vinci Code which made me feel quite apprehensive about picking it up, because I’ve never read The Da Vinci Code nor do I have any desire to! But it has such a pretty cover and Atom kindly sent me a review copy, so I decided to give it a chance.

I immediately liked Nora’s narration. She’s quite a serious teenager, but she’s still got a definite voice. It’s quite surly, and at times she can be a bit self-pitying, but not so often that it’s hard to read. I think the style of the narration will definitely appeal more to older readers. I also really liked the supporting characters, although I wanted to get to know them better than the novel allowed me to, especially Eli. One thing that bothered me was that all of the parents were conveniently incompetent or distracted by their own emotional problems, and I know that the lack of parental interruptions made the plot move faster, but it felt unrealistic to me. I was intrigued by Nora’s dad and I would have liked to have seen more of him.

I also really liked the translation element to the story, it helped to push the plot forward and kept me interested. Like Nora, I really wanted to uncover the story of Elizabeth Weston and the choices she made, in fact, I was more intrigued by Elizabeth than by her project, the Lumen Dei.

It was pretty easy to keep reading, because although none of the plot developments took me by surprise, I really wanted to know how everything would be explained in the end. I enjoyed The Book of Blood and Shadow a lot, but I have to admit to being dissatisfied by the book’s conclusion. The speed at which the climactic scenes flew by made the book seem top-heavy, and not enough was explained – I’m referring to the Lumen Dei in particular.

If the ending of The Book of Blood and Shadow is a door, I would say that it’s left slightly ajar. There’s no obvious route for a sequel to take, but Nora’s conclusions seem shaky and there’s a lot that she could be wrong about. I probably would read a sequel, if it contained some good explanations! And more Prague.

For some spoilery thoughts on the Lumen Dei, highlight below. If you don’t want to read it and you’re a subscriber, you should probably scroll down really fast just in case!

So how does it work? The blood goes in and then how does the light/fire appear? There’s no way I can think of that this machine would do anything without divine intervention, but Nora doesn’t think about this at all! And that really bothered me. Okay, if she saw the mechanism and could tell that it was capable of doing what it did, that’d be one thing. But she couldn’t (to be fair she gave about two glances worth of description) so are we supposed to believe that it was God that made it do its thing? And if so, why does Nora not think about the fact that she has seen proof of God’s existence afterwards? Regardless of whether she thinks God is great or not, she can’t exactly carry on being an atheist after that.

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